A description of an electronic music studio designed around the use of commercial high-impedance, high-fidelity equipment is presented, and the choice of equipment and its practical configuration for this application are considered. The article has two major objectives: (1) to present to the many composers who are interested in working in this medium an example of the potentialities of a lowcost independent studio, and (2) to indicate to the high-fidelity industry a special direction in which their research is sure to prove fruitful.
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can
subscribe to this RSS feed.
Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.
