Community

AES Journal Forum

Influence of Rear-Wall Reflection Patterns in Live-End-Dead-End-Type Recording Studio Control Rooms

Document Thumbnail

The original statement of LEDE control room design theory advocated the use of diffuse energy composed of reflections, highly interwoven in time, and "significant" reflections from the rear wall of the room to trigger the precedence effect and render these and subsequent room reflections inaudible. Variations of this concept introduced high-amplitude specular reflections from the rear of the room to "ensure" the operation of the precedence effect. Experiments are described which indicate not only that these significant specular reflections are audible but also that their presence results in substantially altered localization and stereo imaging. These experiments have yielded a technique for repeatable comparison of imaging characteristics of control rooms outside of the original environment.

Authors:
Affiliation:
JAES Volume 34 Issue 10 pp. 796-803; October 1986
Publication Date:

Click to purchase paper as a non-member or you can login as an AES member to see more options.

No AES members have commented on this paper yet.

Subscribe to this discussion

RSS Feed To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.

Start a discussion!

If you would like to start a discussion about this paper and are an AES member then you can login here:
Username:
Password:

If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.

AES - Audio Engineering Society