The most important musical result of the revolution in electronic methods of sound generation has been a reevaluation of many of the fundamental ways of thinking about music. The composer is faced not only with being his own performer; he must also quantify all of the elements of his music with a precision not required of composing for conventional instruments. The greatest technical limitation of the medium is not in the equipment but in the compositional procedures which the composer must master to produce his music.
Author:
Howe, Jr., Hubert S.
Affiliation:
Queens College, Flushing, NY
JAES Volume 19 Issue 6 pp. 484-488; June 1971
Publication Date:
June 1, 1971
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.