A workshop at the AES Spring Show discussed how high-resolution audio streaming has gone from being a niche market to a mainstream commercial proposition. There are many different ways in which the idea of quality is perceived by consumers, but enough seem willing to pay for the idea of quality and to have a faithful connection with an artist’s intentions. There is considerable potential for other service providers and areas of the world to develop high-resolution audio streaming, but the arguments for doing so depend strongly on the business models that prevail in each context. Live streaming of events in high resolution, with both video and audio, is a burgeoning business area, enabling a larger slice of the revenue to go to artists than would be the case with streamed albums or songs.
JAES Volume 69 Issue 10 pp. 770-773; October 2021
Publication Date: October 7, 2021
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