The attribute of presence was explored in relation to immersive audio, in papers presented at the Fall 2020 convention. We learn about the success of rendering techniques for immersive spatial audio, as well as the emulation and capture of acoustic spaces. An attempt is described to develop a recording and mixing approach aimed at Dolby Atmos immersive reproduction.
JAES Volume 69 Issue 1/2 pp. 120-124; January 2021
Publication Date: February 19, 2021
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