In This Section
Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
AES Journal Forum
Theory and Practice of Modified Frequency Modulation Synthesis
Frequency modulation synthesis of musical instruments has been studied for years and its limitations are well known. By modifying the basic closed-form equations to work in the complex domain, an alternative method that can overcome some of these limitations is presented. The proposed approach provides a smoothly evolving spectrum with regard to variations in modulation index. A phase-synchronous version is discussed with application to resonant and formant synthesis. A comparison with the classical frequency modulation approach illustrates its advantages. Adaptive applications of the algorithm are introduced and explored.
No AES members have commented on this paper yet.
Subscribe to this discussion
Start a discussion!
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.