The Brandeis University Electronic Music Studio opened late in 1961. Initial facilities included tape recorders, audio generators, a bandpass filter, an oscilloscope and a frequency counter. Since then much new equipment has been added. This paper evaluates the devices available in the studio with respect to their relative value to the composer, and the advantages and disadvantages of the various design techniques employed.

Author: Voss, Robert M.
JAES Volume 13 Issue 1 pp. 65-68; January 1965
Publication Date: January 1, 1965

Click to purchase paper as a non-member or you can login as an AES member to see more options.

No AES members have commented on this paper yet.

Subscribe to this discussion

To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.

Start a discussion!

If you would like to start a discussion about this paper and are an AES member then you can login here:
Username:
Password:

If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.