In This Section
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
Reflecting on Reflections - June 2014
AES Journal Forum
Improved Microphone Array Configurations for Auralization of Sound Fields by Wave-Field Synthesis
In order to correctly reproduce ( "auralize" ) the acoustic wave field in a hall through a wave-field synthesis (WFS) system, impulse responses are nowadays measured along arrays of microphone positions. Three array configurations are considered linear, cross, and circular. The linear and cross array configurations both have strong limitations, most of which can be avoided by using circular arrays. Auralization techniques are explained for all types of arrays. For the circular array configuration the connection between circular holophony, high-order incoming and outgoing ambisonics, and plane-wave decomposition for a sound field will be established and used as a tool for auralization.
No AES members have commented on this paper yet.
Subscribe to this discussion
Start a discussion!
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.