[Feature] Although there are many ways to approach classical music recording and mixing, it is the end result that is truly important—a mostly accurate capture of a large ensemble that generates a compelling listening experience. I say “mostly accurate,” as in certain cases we may be trying to present an enhanced experience, with a “larger than life” presentation. Extra-low-frequency content, a wider perspective, more reverb, and clarity in low-level details and slightly exaggerated solo balances are all important areas of attention in modern recording. This stems from the very practical problem of trying to capture the experience of listening to a full orchestra in a great hall and then reproduce it over medium-quality loudspeakers or a pair of inexpensive headphones.
JAES Volume 63 Issue 4 pp. 303-304; April 2015
Publication Date: April 2, 2015
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