The goal of this Engineering Brief is to make an insight into the dynamics of violin resonances frequency change while playing the instrument. It was inspired by the experiments of Tai and Chung performed on the individual violin sounds of a scale and associated them with formants of human singing voices. The excerpt of the “Sarabande from Partita d-minor” BWV 1004 by Johann Sebastian Bach has been analyzed from the point of view of its predominant formants within 0-5 kHz band. Violin sounds from AMATI database have been used in experiments.

Author: Lukasik, Ewa
Affiliation: Poznan University of Technology, Poznan, Poland
AES Convention: 146 (March 2019) eBrief:495
Publication Date: March 10, 2019
Subject: Spatial Audio and Acoustics

Click to purchase paper as a non-member or you can login as an AES member to see more options.

No AES members have commented on this paper yet.

Subscribe to this discussion

To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.

Start a discussion!

If you would like to start a discussion about this paper and are an AES member then you can login here:
Username:
Password:

If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.