The “loudness war” still rages, but with major digital streaming services switching to loudness normalization by default, its end is near. Since absolute loudness is no longer effective at making music “stand out,” engineers are finding it much more effective to optimize microdynamics instead. The overall PLR (Peak to Loudness Ratio) of an audio track is widely recognized as a useful metric to assess the overall microdynamics of a section of audio and the likely results of normalization. However, short-term variations are also important, especially when judging the results of compression and limiting on audio quality, and these can be usefully assessed by a real-time property known as PSR (Peak to ShortTerm Loudness Ratio). PSR is found to be straightforward and intuitive to use, and several popular meters are already reporting it. This paper proposes a standardization of the term, to encourage consistency and adoption.
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can
subscribe to this RSS feed.
Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.
