In This Section
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Reflecting on Reflections - June 2014
AES Engineering Briefs Forum
Subjective Comparison of Surround Microphone Recording Techniques Presented With and Without Video
The comparison of different setups of microphones for surround recordings of music is a topic that has a large interest in the audio community. Although it is known that image has a strong effect on sound perception, particularly in spatial aspects, very little research had been done aiming the surround sound recordings with accompanied video. To compare possible influences in this perception, a test was created using five different surround recording techniques that was done simultaneously at a Brazilian carnival parade. The subjects were presented to the sound with and without video and asked to rate four different aspects: localization, deepness, immersion, and preference. The results show that there is a difference in perception depending on the presence or absence of video.
No AES members have commented on this paper yet.
Subscribe to this discussion
Start a discussion!
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.