In This Section
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
Reflecting on Reflections - June 2014
AES Engineering Briefs Forum
Expressive Physical Modeling of Keyboard Instruments: From Theory to Implementation
Physics-based algorithms for sound synthesis have been extensively studied in the past decades. Nevertheless, their use in commercial synthesizers is still limited due to the difficulty in achieving realistic and easily controllable sounds with current technology. In this Engineering Brief we present an overview of the models used in Physis Piano, a digital piano recently introduced in the market with dedicated physics-based algorithms for acoustic pianos, electric pianos (e.g., Rhodes, Wurlitzer, and Clavinet), and chromatic percussions (e.g. vibraphone, marimba, xylophone). The synthesis algorithms, which are based on standard techniques such as Modal Synthesis and Digital Waveguides, have been highly customized in order to faithfully reproduce the sound features of the original instruments and are easily controllable by a set of meaningful, user-friendly parameters.
No AES members have commented on this paper yet.
Subscribe to this discussion
Start a discussion!
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.