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Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
Reflecting on Reflections - June 2014
AES Engineering Briefs Forum
Bellamy Baffle Array: A Multichannel Recording Technique to Improve Listener Envelopment
The paper outlines a 6-microphone technique that makes use of a baffle between front and rear arrays. This addresses three common challenges in multichannel recording for 5.1 channel playback. First, to improve the sense of connectedness between LS/RS, L/LS and R/RS channel pairs. Second, to maintain clarity of the direct sound while allowing for strong levels of room sound in the mix. Third, to provide a flexible system that can work well with a variety of ensembles. The result is a flexible microphone technique that results in recordings of increased clarity and envelopment.
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