The mixing desk metaphor found in many Digital Audio Workstations (DAW) creates a quantitative visual display that is highly structured and segmented. While this is useful for transmitting large amounts of quantitative data it can inhibit the more intuitive and performative aspects inherent in music mixing. This paper's focus is the cognitive and creative issues encountered using current music production software equalizers and the influence they exert on the initial approach, task workflow, and final output of the user. Equalizers have been chosen to exemplify this, due to their pivotal balance between aural and visual modalities. The paper draws conclusions as to the effectiveness of current software equalizer designs and proposes modifications to design.
Authors:
Mycroft, Josh; Paterson, Justin
Affiliations:
QMUL; University of West London(See document for exact affiliation information.)
AES Convention:
130 (May 2011)
eBrief:10
Publication Date:
May 13, 2011
Subject:
Engineering Tools and Methods
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can
subscribe to this RSS feed.
Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.