The creative application of frequency- and amplitude-modulation to several works of live-performance of electronic music is discussed. The development of semi-automatic electronic procedures for musical performance of one of these works, a widely performed and recently recorded composition which was commissioned under the auspices of the National Endowment of the Arts, is considered in detail.
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can
subscribe to this RSS feed.
Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.
