This paper reconceives the work of the sound designer and audio engineer in interactive multimedia and on the Net, requiring professional quality and creativity within the constraints of bandwidth and data storage. Techniques familiar to audio professionals are reapplied in contexts important in interactive design, such as understanding object behavior through auditory display or interpreting environmental conditions through sound. Some future directions in sound for multimedia are : considered.
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can
subscribe to this RSS feed.
Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.
