We have been studying a method of music recording, especially rear ambient sound for 3-2 surround toward digital broadcasting. This time we introduced these methods to the recording of orchestra music and traditional Japanese music in a hall. And to the recording of chamber music in a studio.

Authors: Fukada, Akira; Tsujimoto, Kiyoshi; Akita, Shoji
Affiliation: NHK Broadcast Center, Tokyo, Japan
AES Convention: 103 (September 1997) Paper Number: 4540
Publication Date: September 1, 1997
Subject: Multichannel Audio

Click to purchase paper as a non-member or you can login as an AES member to see more options.

No AES members have commented on this paper yet.

Subscribe to this discussion

To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.

Start a discussion!

If you would like to start a discussion about this paper and are an AES member then you can login here:
Username:
Password:

If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.