In the 1950s the Japanese music industry had recovered quickly from the damage during World War II and became the second-largest market in the world. Monitoring loudspeakers imported from the United States and Europe contributed to the growth. However, Japanese-made monitoring loudspeakers are being used widely in recording studios and broadcasting studios. The 50-year history of the main monitoring loudspeakers in Japan and the design philosophy of the Japanese-made monitoring loudspeaker are reviewed.
Author:
Yamamoto, takeo
Affiliation:
Pioneer Electronic Corporation, Meguro-ku, Tokyo, Japan
AES Convention:
97 (November 1994)
Paper Number:
3932
Publication Date:
November 1, 1994
Subject:
Transducers
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.