A new application of boundary technology makes possible a stereo microphone with highly accurate spatial localization. The Stereo Ambient Sampling System also captures the acoustic "atmosphere" with great detail, free from the usual phase-error induced comb filtration. Optimum results follow careful attention to microphone placement and the recording environment. The authors present practical techniques based on several years of digital recording with the system, to achieve best results for projects ranging from soundtracks and sound effects, to acoustic ensembles and symphonic music.
Authors:
Billingsley, Michael; Bartlett, Bruce
Affiliations:
Backtracks Location Recording, Montpelier, VT ; Crown International, Elkhart, IN(See document for exact affiliation information.)
AES Convention:
86 (March 1989)
Paper Number:
2791
Publication Date:
March 1, 1989
Subject:
Recording (Microphones/Applications)
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.