A previous paper (1) described the use of Linear Predictive Coding for drm synthesis: this paper covers work performed since then, with particular emphasis on the methods and signals for driving a resonant drum model. The previous work used simple excitation consisting of rectangular bursts of uniformly distributed pseudo-random noise. Here we will look at Gaussian and Brownian noise which can also be filtered and/or have its time envelope modified. The methods for genrating these stimuli is reviewed and results presented graphically, with some comments about their auditory performance. A computationally efficient technique for the synthesis is proposed.
Author:
Sandler, Mark B.
Affiliation:
Kings College London, London, England
AES Convention:
89 (September 1990)
Paper Number:
2951
Publication Date:
September 1, 1990
Subject:
MIDI and Electronic Music
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.