As a free lance audio engineer for video tape and film production, I found that commercially available small mixing consoles incorporated few of the options so often needed for stage and location production, since they are geared primarily for the music industry. Hence, I designed a console with many of the necessary features, working closely with a manufacturer (Acoustilog, Inc., New York), utilizing much of their existing circuitry. Rather than dealing with the theory of circuit design, this paper is a description of the mixer from an operational standpoint discussing the decisions which led to its functional design.
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can
subscribe to this RSS feed.
Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.
