It is of paramount importance for any broadcasting or recording company that sound monitoring i.e., the quality listening is done under sufficiently uniform and reliable conditions. Some international standards already exist or are under development concerning sound reproduction in cinemas and film control rooms, but they may not be directly applicable to the previously mentioned purpose.: Listening conditions depend in a complex manner on the properties of the loudspeaker(s) and the listening room and the way loudspeaker(s) and listening point (area) are located in the room. All the factors and phenomena are not yet completely known. The paper states the factors and the technical parameters which are considered to be of major importance for listening conditions in a control room. Preferred values and tolerance limits are suggested and compared to those found in the literature.
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can
subscribe to this RSS feed.
Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.
