The purpose of this paper is twofold. A: To point out the need of sufficient low-frequency absorption in modern music recording studios employing multiple microphone set-ups for multitrack recording and B: to describe the construction of an efficient low-frequency absorber of moderate size. The accomplishment of both purposes requires some mathematical derivations, some of which will appear in the Appendix. The results of the calculations will be utilized in the immediate discussion, however, to elucidate and to emphasize certain conditions, requirements, and findings pertaining to the acoustics of the multi-track recording studios.
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can
subscribe to this RSS feed.
Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.
