This paper explores 3D cinematic spatial audio techniques adapted and developed for Dolby Atmos and Auro 3D by the author for the production of music for a feature film. The main objective was to develop a way of recording and mixing music that could translate to both Dolby Atmos and Auro-3D cinema reproduction systems.

Author: Ellis-Geiger, Robert Jay
Affiliation: City University of Hong Kong, Hong Kong, SAR China
AES Convention: 141 (September 2016) Paper Number: 9675
Publication Date: September 20, 2016
Subject: Spatial Audio and Recording & Production

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