Subgrouping is an important part of the mix engineering workflow that facilitates the process of manipulating a number of audio tracks simultaneously. We statistically analyze the subgrouping practices of mix engineers in order to establish the relationship between subgrouping and mix preference. We investigate the number of subgroups (relative and absolute), the type of audio processing, and the subgrouping strategy in 72 mixes of 9 songs, by 16 mix engineers. We analyze the subgrouping setup for each mix of a particular song and also each mix by a particular mixing engineer. We show that subjective preference for a mix strongly correlates with the number of subgroups and, to a lesser extent, which types of audio processing are applied to the subgroups.

Authors: Ronan, David; De Man, Brecht; Gunes, Hatice; Reiss, Joshua D.
Affiliation: Queen Mary University of London, London, UK
AES Convention: 139 (October 2015) Paper Number: 9442
Publication Date: October 23, 2015
Subject: Recording and Production

Click to purchase paper as a non-member or you can login as an AES member to see more options.

No AES members have commented on this paper yet.

Subscribe to this discussion

To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.

Start a discussion!

If you would like to start a discussion about this paper and are an AES member then you can login here:
Username:
Password:

If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.