With the advent of four-channel stereo and continually improving fidelity in both FM transmission and reception, the FM stereo broadcaster has many new needs for improved flexibility and fidelity in his studio and production equipment. But to filfill current and future needs in stereo transmission, a complete rethinking of current stereo broadcast console design is necessary, resulting in the addition of many features and design concepts not common in current designs. In addition to its broadcast functions, the console design may include provision for limited professional recording facilities for the more ambitious broadcaster. However, these features must be incorporated without disrupting the essential broadcast nature of the console.

Authors: Thomsen, Carsten; Antlitz, Jr., Alfred C.
Affiliations: WAUS (FM), Andrews University, Berrien Springs, MI ; WFMT, Chicago, IL(See document for exact affiliation information.)
AES Convention: 42 (May 1972) Paper Number: 860
Publication Date: May 1, 1972

Click to purchase paper as a non-member or you can login as an AES member to see more options.

No AES members have commented on this paper yet.

Subscribe to this discussion

To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.

Start a discussion!

If you would like to start a discussion about this paper and are an AES member then you can login here:
Username:
Password:

If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.