In a live musical performance, accurate stage monitoring is a vital element to achieve the optimal performance. Current stage monitoring uses traditional musician-facing loudspeakers. Problems can be surmised as excessive Sound Pressure Level (SPL), the inability to hear themselves, acoustic feedback, and general stage untidiness/space requirements. In-ear monitors (IEM’s) can offer a solution to these problems when the IEM system has been properly designed [7]. One crucial issue with IEMs is the sense of isolation and disconnection from stage noise and crowd. To overcome this issue, an auto-panning system that adjusts spatial placement of audio channels within the performers stage mix has been designed and built.
Authors:
Webb, Tom; Horsburgh, Andrew J.
Affiliation:
Southampton Solent University, Southampton, UK
AES Convention:
138 (May 2015)
Paper Number:
9345
Publication Date:
May 6, 2015
Subject:
Recording and Production
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can
subscribe to this RSS feed.
Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.