To improve the experience of listening to reproduced audio, it is beneficial to determine the differences between listening to a live performance and a recording. An experiment was performed in which three live performances (a jazz duet, a jazz-rock quintet, and a brass quintet) were captured and simultaneously replayed over a nine-channel with-height surround sound system. Experienced and inexperienced listeners moved freely between the live performance and the reproduction and described the difference in listening experience. In subsequent group discussions, the experienced listeners produced twenty-nine categories using some terms that are not commonly found in the current spatial audio literature. The inexperienced listeners produced five categories that overlapped with the experienced group terms but that were not as detailed.
Authors:
Francombe, Jon; Brookes, Tim; Mason, Russell
Affiliation:
University of Surrey, Guildford, Surrey, UK
AES Convention:
138 (May 2015)
Paper Number:
9307
Publication Date:
May 6, 2015
Subject:
Perception
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.