This paper explores a format of sonic art referred to as audio film that was developed to study different ways in which film sound production and postproduction techniques could be applied to the enhancement of Audio Description (AD) for visually impaired film and television audiences. A prototype of this format was tested with a group of nine volunteers with sight loss in order to test its effectiveness. The perceptual evaluation demonstrated the potential of this format for conveying a clear narrative as well as providing an entertaining experience. Future work will include the investigation of conventions to indicate scene changes within audio-only formats as well as studying the impact of object-based mixing on audio films.
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can
subscribe to this RSS feed.
Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.
