The objective of this project is to perceptually evaluate the relative merits of two different spatial audio recording and rendering techniques within the context of two different multichannel reproduction systems. The two recordings and rendering techniques are "natural," using main microphone arrays, and "virtual," using spot microphones, panning, and simulated acoustic delay. The two reproduction systems are the 3/2 system (5.1 surround) and a 12/2 system, where the frontal L/C/R triplet is replaced by a 12-loudspeaker linear array. The perceptual attributes of multichannel spatial audio have been established by previous authors. In this study magnitude ratings of selected spatial audio attributes are presented for the above treatments and results are discussed.

Authors: Romblom, David; King, Richard; Guastavino, Catherine
Affiliations: McGill University, Montreal, Quebec, Canada; Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), Montreal, Quebec, Canada; The Centre for Interdisciplinary Research in Music Media and Technology, Montreal, Quebec, Canada(See document for exact affiliation information.)
AES Convention: 135 (October 2013) Paper Number: 9004
Publication Date: October 16, 2013
Subject: Spatial Audio

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