Cinema calibration methods, which include targeted equalization curves for both dub stages and cinemas, are currently used to ensure an accurate translation of a film's sound track from dub stage to cinema. In recent years, there has been an effort to reexamine how cinemas and dub-stages are calibrated with respect to preferred or standardized room response curves. Most notable is the work currently underway reviewing the SMPTE standard ST202:2010 "For Motion-Pictures - Dubbing Stages (Mixing Rooms), Screening Rooms and Indoor Theaters -B-Chain Electroacoustic Response." There are both scientific and anecdotal reasons to question the effectiveness of the SMPTE standard in its current form. A survey of re-recording mixers was undertaken in an effort to better understand the efficaciousness of the SMPTE standard from the users' point of view.

Author: Gedemer, Linda A.
Affiliations: University of Salford, Salford, UK; Harman International, Northridge, CA, USA(See document for exact affiliation information.)
AES Convention: 135 (October 2013) Paper Number: 8996
Publication Date: October 16, 2013
Subject: Applications in Audio

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