The EBU recommendation R 128 regarding loudness normalization is now generally accepted and countries in Europe are adopting the new recommendation. There is now a need to know more about how and when to use the different meter modes, Momentary and Short term, proposed in R 128, as well as to understand how different implementations of R 128 in audio level meters affect the engineers’ actions. A method is tentatively proposed for evaluating the performance of audio level meters in live broadcasts. The method was used to evaluate different meter implementations, three of them conforming to the recommendation from EBU, R 128. In an experiment, engineers adjusted audio levels in a simulated live broadcast show and the resulting fader movements were recorded. The movements were parameterized into “Fader movement,” “Adjustment time,” “Overshoot,” etc. Results show that the proposed parameters produced significant differences caused by the meters and that the experience of the engineer operating the fader is a significant factor.
Allan, Jon; Berg, Jan
Affiliation: Luleå University of Technology, Piteå, Sweden
AES Convention: 135 (October 2013) Paper Number: 8973
Publication Date: October 16, 2013
No AES members have commented on this paper yet.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.