In This Section
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
Reflecting on Reflections - June 2014
AES Convention Papers Forum
Combined Quasi-Anechoic and In-Room Equalization of Loudspeaker Responses
This paper presents a combined approach to loudspeaker/room response equalization based on simple in-room measurements. In the first step, the anechoic response of the loudspeaker, which mostly determines localization and timbre perception, is equalized with a low-order non-minimum phase equalizer. This is actually done using the gated in-room response, which of course means that the equalization is incorrect at low frequencies where the gate time is shorter than the anechoic impulse response. In the second step, a standard, fractional-octave resolution minimum-phase equalizer is designed based on the in-room response pre-equalized with the quasi-anechoic equalizer. This second step, in addition to correcting the room response, automatically compensates the low-frequency errors made in the quasi-anechoic equalizer design when we were using gated responses.
No AES members have commented on this paper yet.
Subscribe to this discussion
Start a discussion!
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.