Reverberation plays a very important role in modern music production. The available literature is minimal concerning the interaction between reverberation preference and the listening environment used during critical balancing tasks. Highly trained subjects are tasked with adding reverberation to a fixed stereo mix in two different environments: a standard studio control room and a highly reflective mix room. Distributions of level preference are shown to be narrower for more reflective mixing environments, and the mean level is below those set in a less reverberant environment.

Authors: Leonard, Brett; King, Richard; Sikora, Grzegorz
Affiliations: McGill University, Montreal, Quebec, Canada; The Centre for Interdisciplinary Research in Music Media and Technology, Montreal, Quebec, Canada; Bang & Olufsen Deutschland GmbH, Pullach, Germany(See document for exact affiliation information.)
AES Convention: 133 (October 2012) Paper Number: 8742
Publication Date: October 25, 2012
Subject: Auditory Perception

Click to purchase paper as a non-member or you can login as an AES member to see more options.

No AES members have commented on this paper yet.

Subscribe to this discussion

To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.

Start a discussion!

If you would like to start a discussion about this paper and are an AES member then you can login here:
Username:
Password:

If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.