In This Section
Reflecting on Reflections - June 2014
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Quiet Thoughts on a Deafening Problem - May 2014
AES Convention Papers Forum
Physical Model of the Slide Guitar: An Approach Based on Contact Forces
In this paper we approach the synthesis of the slide guitar, which is a particular play mode of the guitar where continuous tuning of the tones is achieved by sliding a metal or glass piece, the bottleneck, along the strings on the guitar neck side. The bottleneck constitues a unilateral constraint for the string vibration. Dynamics is subject to friction, scraping, textured displacement and collisions. The presented model is physically inspired and is based on a dynamic model of friction, together with a geometrical model of the textured displacements and a model for collisions of the string with the bottlenck. These models are suitable for implementation in a digital waveguide computational scheme for the 3D vibration of the string, where continuous pitch bending is achieved by allpass filters to approximate fractional delays, friction is captured by nonlinear state-space systems in the slide junction and textured displacements by signal injection at a variable point in the waveguide.
No AES members have commented on this paper yet.
Subscribe to this discussion
Start a discussion!
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.