There are many ways in which loudness can be objectively estimated, including simple weighted models based on physical sound level, as well as complex and computationally intensive models that incorporate many psychoacoustical factors. These complex models have been generated from principles and data derived from listening experiments using highly controlled, usually brief, artificial stimuli; whereas the simple models tend to have a real world emphasis in their derivation and validation. Loudness research has recently also focused on estimating time-varying loudness, as temporal aspects can have a strong effect on loudness. In this research, continuous subjective loudness responses are compared to time-series outputs of loudness models. We use two types of stimuli: a sequence of sine tones, and a sequence of band-limited noise bursts. The stimuli were analyzed using a variety of loudness models, including those of Glasberg and Moore, and Chalupper and Fastl, and Moore, Glasberg and Baer. Continuous subjective responses were obtained from 24 university students, who rated loudness continuously in time over the period of the experiment, while using an interactive interface.
Authors:
Ferguson, Sam; Cabrera, Densil; Schubert, Emery
Affiliations:
Empirical Musicology Laboratory, School of English, Media and Performing Arts, University of New South Wales, Australia; Acoustics Research Laboratory, Faculty of Architecture, Design and Planning, University of Sydney, Australia(See document for exact affiliation information.)
AES Convention:
129 (November 2010)
Paper Number:
8177
Publication Date:
November 4, 2010
Subject:
Loudness and Dynamics
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