It is sometimes desirable, in the purpose of analyzing recorded piano tones, to remove from the original signal the noisy components generated by the hammer strike and by other elements involved in the piano action. In this article we propose an efficient method to achieve such result, based on adaptive filtering and automatic estimation of fundamental frequency and inharmonicity; the final method, applied on a recorded piano tone, produces two separate signals containing respectively the hammer knock and the harmonic components. Some sound examples to listen for evaluation are available on the web as specified in the paper.
Author:
Cella, Carmine Emanuele
Affiliation:
Università di Bologna, Bologna, Italy
AES Convention:
128 (May 2010)
Paper Number:
8111
Publication Date:
May 1, 2010
Subject:
Audio Content Management—Audio Information Retrieval
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.