Both audibility and subjective appreciation of dropouts in magnetic recordings of music were estimated in a series of listening experiments in which the most vulnerable situation was simulated: the type of music, the playback conditions as well as the highly discriminating listeners cooperated to yield high annoyance ratings. In this way -worst case- (or True High Fidelity) criteria have been obtained.

Authors: Cardozo, B. L.; Domburg, G.
Affiliation: Institute for Perception Research, Eindhoven, The Netherlands
AES Convention: 35 (October 1968) Paper Number: 598
Publication Date: October 1, 1968

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