The Ballet mécanique by George Antheil was a musical composition far ahead of its time. Written in 1924, it required technology that didn't exist: multiple synchronized player pianos. Not until 1999, with the aid of computers and MIDI, could the piece be performed the way the composer envisioned it. Since then, it has been played over 20 times in North America and Europe. But its most unusual performance was the result of a collaboration between the authors: one, the music technologist who revived the piece and the other, a musical robotics expert. At the request of the National Gallery of Art in Washington, DC, they built a completely automated 27-piece orchestra, which played the piece nearly 100 times, without a serious failure.
Authors:
Lehrman, Paul; Singer, Eric
Affiliations:
League of Electronic Music Urban Robots; Tufts University(See document for exact affiliation information.)
AES Convention:
121 (October 2006)
Paper Number:
6936
Publication Date:
October 1, 2006
Subject:
Analysis and Synthesis of Sound
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.