The early reflection patterns of recording rooms strongly influence the subjective quality of stereo or multichannel recordings, especially when the microphones are situated at a distance from the source. The present paper investigates possibilities for the balance engineer to optimize the early reflection pattern at the microphone positions in a chamber music hall utilizing a computer based ray tracing model.
Authors:
Bork, Ingolf; Goerne, Thomas; Potratz, Udo
Affiliations:
Detmold University of Music; Physikalisch-Technische Bundesanstalt(See document for exact affiliation information.)
AES Convention:
118 (May 2005)
Paper Number:
6508
Publication Date:
May 1, 2005
Subject:
Audio Recording and Reproduction
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.