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Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
Reflecting on Reflections - June 2014
AES Convention Papers Forum
An Informal Comparison Between Surround-Sound Microphone Techniques
There is currently a lack of recorded test materials in five-channel surround format. Particularly lacking are recordings made simultaneously using different microphone arrays that would allow comparative switching between different recorded versions of the same acoustical event. An ambitious pilot experiment was conducted involving the recording of various different programme items using eight different recording techniques simultaneously. This was undertaken to determine the practicality of making of such recordings, to allow informal comparisons between microphone techniques, and to create a set of simultaneous multichannel recordings for subsequent perceptual evaluation. This paper details experimental design considerations and practical limitations, as well as reporting initial observations regarding the resulting recordings.
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