Community

AES Convention Papers Forum

Sound Source Radiation Syntheses: From Performance to Domestic Rendering

Document Thumbnail

A diffusion device based on a digitally-controlled 3D array of loudspeakers ? La Timée ? was developped in order to synthesize a given radiation pattern from the combination of a set of elementary directivities. This radiation synthesis method, designed for musical and performance constraints (real-time control, musical vocabulary associated to different directivity patterns, ?), has been used for stage performances and sound installations. In order to translate the sound experience for domestic setups, the paper also addresses the post-production step where the spatial image associated to the radiation synthesis is transcoded on conventional formats like transaural, ambisonic or 5.1 formats. The method is based on the characterization of the performance room thru the different elementary directivities, and then on their superimposition.

Authors:
Affiliation:
AES Convention: Paper Number:
Publication Date:
Subject:

Click to purchase paper as a non-member or you can login as an AES member to see more options.

No AES members have commented on this paper yet.

Subscribe to this discussion

RSS Feed To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.

Start a discussion!

If you would like to start a discussion about this paper and are an AES member then you can login here:
Username:
Password:

If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.

AES - Audio Engineering Society