The effect of microphone placement on reproduced tonal balance is investigated for acoustic guitar, piano, electric guitar amplifier, and voice. The data presented are based on spectral measurements in various microphone locations, listening tests, and study of instrument radiation patterns. Suggestions are offered for close microphone placements and equalization to achieve various tonal effects, including the natural timbre of the instrument as heard at a typical listening position.
Author:
Bartlett, Bruce
Affiliation:
Shure Brothers Incorporated, Evanston, IL
AES Convention:
69 (May 1981)
Paper Number:
1782
Publication Date:
May 1, 1981
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