The aesthetics and techniques used in the creation of early analog tape-based electronic music were influenced by music compositional practices from the 1880s through the first half of the 20th century. Examining these earlier acoustic pieces and a their notable compositional techniques has helped provide an aesthetic context for students studying early tape-based electronic music and their analog recording projects at the University of Colorado at Denver.
Author:
Rothschild, Sigmund
Affiliation:
University of Colorado at Denver, Denver, CO
AES Convention:
112 (April 2002)
Paper Number:
5532
Publication Date:
April 1, 2002
Subject:
Recording, Restoration, and Processing
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