This paper presents a real-time stereophonic version of the model proposed by Moore (1983). The starting point is a concert situation for the electroacoustic music (with two or four channels); like this, the concert hall can assume every shape and dimension, creating a virtual sound environment quite independent of the shape and dimensions of the place where the music is played.

Authors: Dapelo, Ricardo; Macelloni, Simone
Affiliation: Laboratory of Musical Informatics, D.I.S.T. University of Genoa, Genoa, Italy
AES Conference: 16th International Conference: Spatial Sound Reproduction (March 1999)
Paper Number: 16-042
Publication Date: March 1, 1999
Subject: Spatial Sound Reproduction

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