Radio drama can benefit from spatial sound as it releases the listener from the position of a spectator. General production tools for multichannel audio can be used in radio drama, but the setting between the performance and the listener has very little in common with multichannel music recordings. In a radio play the point of listening can change with time. Auditory objects can move and the size and the character of the room may change, spaces may appear and disappear, and there can even be several layered rooms or spaces at the same time. All of this gets its final form in the mix.
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