This paper will discuss the history and development of theatre installation practices since the 1970s, together with an insight into the broad-ranging role of the Production Sound Engineer. Following on from the history, it looks at the implications of changing technology. Much of the focus shows the relationship between the installation requirements and the rental company's perspective.

Author: Bell, Duncan
Affiliation: Autograph Sound Recording Ltd, London, UK
AES Conference: UK 18th Conference: Live Sound (April 2003)
Paper Number: 4
Publication Date: April 1, 2003
Subject: Live Sound

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