This paper describes a 5-channel recording for sound demonstration of a Baroque music ensemble with counter-tenor. The recording was made with seven microphones and subsequently mixed down to five channels. This recording is successful at capturing the music and energy of the ensemble in the natural acoustics of the church in which it was recorded.
Authors:
Corey, Jason; Goyette, Johanne
Affiliations:
Multichannel Audio Research Laboratory (MARLab), Faculty of Music, McGill University, Quebec, Canada ; ATMA Classique, Outremont, Quebec, Canada(See document for exact affiliation information.)
AES Conference:
19th International Conference: Surround Sound - Techniques, Technology, and Perception (June 2001)
Paper Number:
1883
Publication Date:
June 1, 2001
Subject:
Surround Sound
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.