DVD Audio is already on the market, but the search for an optimal recording method continues. End users will accept the greater hardware cost of multi-channel audio only if the results are highly convincing. This essay deals with basic issues: compatibility, loudspeaker arrangements, differing goals of different recording methods and microphone arrangements. Finally, various "main microphone" types for surround recording are discussed briefly.
Author:
Wuttke, Jörg
Affiliation:
Schoeps GmbH, Karlsruhe, Germany
AES Conference:
19th International Conference: Surround Sound - Techniques, Technology, and Perception (June 2001)
Paper Number:
1892
Publication Date:
June 1, 2001
Subject:
Surround Sound
Click to purchase paper as a non-member or you can login as an AES member to see more options.
No AES members have commented on this paper yet.
To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.
If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.